Doug Irwin | Jerry Garcia Custom “Tiger”
- Famous
- Solid Body
- Custom
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Tiger
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1979
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Tiger was Jerry Garcia’s main guitar from 1979 to 1989. It was built by Sonoma County luthier Doug Irwin. After the instrument was commissioned by Garcia in 1973 following delivery of Wolf (his first major Irwin guitar), Irwin was assisted from 1974 to 1977 by apprentice luthier Thomas Lieber, who devised the body design and later became known in his own right for designing instruments used by Pete Sears, Stanley Clarke and Chris Stein. According to Lieber, he and Irwin conceived the instrument as “our generation’s Les Paul.” Throughout the design and construction process, it was provisionally designated “the Garcia” in homage to Paul’s eponymous instrument. Upon commissioning the instrument, Garcia enjoined Irwin to “make it the way he thought was best, and not worry about cost.”
The Tiger is named after the tiger inlaid on the preamp cover located on the guitar’s top, just behind the tailpiece. The body features several layers of wood laminated together face-to-face in a configuration referred to as a “hippie sandwich” by employees of Alembic Inc., where Irwin worked for a brief period in the early 1970s. The combination of several heavy varieties of wood, plus solid brass binding and hardware results in an unusually heavy instrument that tips the scales at 13½ pounds. After Garcia began using a new Irwin guitar (known as Rosebud) in December 1989, Tiger became his backup guitar. Due to a problem with Rosebud during the Grateful Dead concert on July 9, 1995, Tiger was the last guitar Garcia played publicly.
- Hand-picked and book-matched Mexican Cocobolo wood body
- Curly Maple body layers and neck highlighted by an inlaid Vermillion wood stripe 1/16th inch brass running around the entire body
- The top of the guitar is adorned with the signature MOP Tiger inlaid on an Ebony oval accented with brass.
- The Gabon Ebony fretboard is inlaid with Jerry Garcia’s classic Tiger motif
- The back of the body has a brass outlined, quilted maple and Cocobolo oval.
- The oval is highlighted with a 1/16th inch red, yellow and blue Marquetry strip.
- Finally, the back oval is inlaid with an art deco style flower with two types of Abalone, MOP, and brass.
- On Board Effects Loop (OBEL) allows the output signal of the pickups to be sent to the pedal effects and back to the guitar before the volume pot. This was one of Jerry Garcia’s personal inventions to obtain full signal no matter what the volume setting.
- A DiMarzio single-coil pickup in the neck and two DiMarzio super-distortion humbuckers for the middle and bridge.
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