Gibson | Les Paul Junior 1960s

The Gibson Les Paul Jr. is a solid-body electric guitar introduced in 1954 as an affordable, entry-level Les Paul. It was first released with a single-cutaway body style; models with a double-cutaway body style were later introduced in 1958. The Jr. continued through the first three years of the Les Paul/SG body redesign. It was discontinued in 1963, and was not re-released until 2001

The goal for the Les Paul Jr. was to have a high-quality guitar that was still affordable. This was achieved by stripping the Gibson Les Paul down to the basics: no binding, no carved top, one pickup, one volume knob and one tone knob. The Junior was equipped with one P-90 “dog-ear” pickup at the bridge. It was originally released in sunburst, but Gibson also introduced the TV version (a kind of yellow, also known as TV Yellow) for professional musicians, who would be featured playing the guitar on television; the yellow would look white on black and white television, without the glare of an actual white finish.

In the 1960s and 1970s the Les Paul Jr. became very popular because of its simplicity and distinguishable tone when played through a high-gain amplifier. The P-90 pickup gave the guitar a distinct crunch that was desired by rock and blues players of the time, including Leslie West of Mountain, Luther Grosvenor (a.k.a. Ariel Bender) of Spooky Tooth and Mott the Hoople, Johnny Thunders of The New York Dolls and The Heartbreakers, and Glenn Frey of The Eagles. A Les Paul Junior also became John Lennon’s main guitar during his post-Beatles years. It is also used by Billie Joe Armstrong from the band Green Day. Martin Barre of Jethro Tull recorded the entire Aqualung album with a 1957 Les Paul Junior, including the extended guitar solo of the title track.